Here’s a solo I took on Someday My Prince Will Come for one of my classmates performance studies pieces. I think it went decently well, some good moments some bad moments. Had a hard time landing some of my ideas, cause I was nervous I guess, idk. Would love to get some differing opinions on it!

Dear global Jazz Community,

I’d like to share a project I’ve been part of: *The Connector*, the debut album of pianist and composer Alexander Wittges, which we produced together. It was released on September 23 and has nine original compositions, recorded as a piano trio with Rafael De Sousa on bass and Stefan Noelle on drums. Alexander is a young pianist based in Freising near Munich, Germany.

We’re now starting to plan the next project, and before we do, we’d really value honest feedback from people who love listening to jazz. What works for you? What doesn’t? Anything about the compositions, the trio interplay, the sound or the track order is welcome, strengths as well as weaknesses. Constructive criticism helps us far more than polite compliments.

If you have a favorite track (or one you skipped), I’d be curious to know which and why. We’d especially like to hear what you’d want to hear more of on a second record.

[https://alexanderwittges.bandcamp.com/album/the-connector\](https://alexanderwittges.bandcamp.com/album/the-connector)

The story behind the album can be found here:

[https://www.allaboutjazz.com/album/the-connector-alexander-wittges\](https://www.allaboutjazz.com/album/the-connector-alexander-wittges)

The album is also available on all the other major streaming platforms, and a CD is on the way for the end of 2026.

Thank you for listening and for taking the time. I’m happy to answer any questions about the writing or recording process.

Best regards!