Dutch text translated: For a few months we were allowed to host them within our borders: the famous group of beach boys from America, The Beach Boys. Inspired by the tranquility of our wide-open landscape, they recorded a new LP under the inspired leadership of the brothers Brian and Carl Wilson. Their twentieth, if we've counted correctly.
There is little to be said against the claim that The Beach Boys are the best vocal rock group in the world. The cheerful surf music that made them such a success in the early 1960s (music meant to be consumed outdoors after surfing, that is, gliding over the waves on a board) has been set aside entirely in recent years. The formula of uncomplicated stomping, simply sung and interspersed with sentimental close-harmony showpieces, was no longer used from 1966 onward. The Beach Boys went back to nature at that point. An LP like Wild Honey, a record with a very relaxed character, featured music about blushing farm boys who keep themselves alive on natural honey. The clever vocal work that characterized the first albums was retained on this LP, but the sound tapestry became more complex, following the example of producer Phil Spector. Brian Wilson in particular put his stamp on the group. The claim that a genius is only one step away from madness seems justified now and then by Wilson's eccentric behavior. One of the most notorious episodes in Brian Wilson's life concerns the Fire-Music suite, part of a four-part composition called The Elements. The few people who have heard the music praised it as "a masterpiece of visual creativity, with roaring, wind-driven flames, falling burning timber, wailing sirens and sweating firemen, built up to a climax and later subsiding, with one more crash of a collapsing wall and, far away, the sound of departing fire engines."
Sadly, the public will never hear this musical soundscape, because Brian was convinced that the regular outbreak of fires in his town had something to do with his composition. Brian has been rather unstable. He was easily influenced by outside things: criticism, business involvement (Brother Records, an independent record label founded long before the Beatles started Apple, was an obsession for him) and family problems always affected him deeply. At the moment, according to Beach Boy Mike Love, Brian is doing very well. Mike Love: "Especially for our latest LP, Carl & The Passions – So Tough, he has written a number of excellent songs again. He is still the foundation of our music. I do have to say that he's less involved in producing. Carl has taken that over from him almost completely, and he's doing great at it. Right now we're busy looking for the final line-up because Bruce Johnston is no longer participating. For now, Carl Wilson, Al Jardine and I are doing what we've always done. We also have Ricky Fataar and Blondie Chaplin, guys from the group Flame, permanently in the band, on drums and guitar. We're incredibly happy with those two. The possibilities have become infinitely greater, especially in terms of composition. Ricky is, by the way, the best drummer I have ever seen and heard play. What will our new LP be called? No idea.
Incidentally, there are plans to finally release the legendary Smile album after all. The master tapes were already destroyed, but a copy still exists from which the record will probably be pressed."
So for the time being, we'll have to make do with the Carl & The Passions LP. A remarkably fine record in a wonderfully beautiful sleeve. The disc opens with the lovely You Need A Mess Of Help To Stand Alone, once again a highlight of Brian Wilson's technical ingenuity. Also fine are Make It Good and Cuddle Up, subdued little pieces by Dennis Wilson with Mantovani-like influences. Two supremely sensitive songs. Buy this record. You still can.