https://www.youtube.com/watch?v=5zrgQ_Gdsms

https://youtu.be/jgqvWVXMaPw?t=951
You can hear it a little better in this second clip. From 15:50, in case the timestamp doesn't work.

I've been trying to identify the angelic-sounding choral piece heard faintly in the background of this scene.
Please note: It is not part of the film's score/soundtrack, and does not appear to be from Michael Nyman, the composer of the film's main score.

Incidentally, it can also be heard in "A TV Dante", also by Greenaway, also starring John Gielgud, and also playing exclusively during a sequence in which he is speaking over it.

If anyone can identify this music, I will be eternally grateful to them. I've tried every other avenue short of tracking down Peter Greenaway and asking him if he remembers the name of the sacred music he dropped a few seconds of into the background of a movie he made nearly four decades ago.

I am looking the lyrics.

These is a Borodin piece which, prior to 1969, had lyrics which were used in middle school chorale classes.

The lyrics aren’t “Stranger in Paradise”.

I believe the first line was “Come with us to the steppes … “

Despite my “mad Internet search skills” I’ve been unable to surface the lyric.

https://youtu.be/WKtzxWR9Zt4

Does anyone know of any Russian Orthodox services in the NYC area that have oktavists in their regular Sunday services?

Our current season is stacked with sacred repertoire, and it's got me thinking about something I rarely see discussed on this sub. We've got a genuinely mixed group: some deeply religious members, some who haven't stepped in a church since they were kids, some who'd call themselves spiritual-but-not-affiliated, at least one or two who'd say atheist outright. Everyone shows up and sings the same notes.

What I'm curious about is what's happening underneath that.

For the non-Christian / non-religious singers: how do you relate to the text? Do you dig into the theology so the words mean something, treat the text as pure phonetics and vowel colour, or translate it into your own secular frame? Does it feel like performing someone else's belief system, or does that stop mattering once the music starts?

For Christian singers: does singing sacred music feel like devotional practice for you, or is it repertoire first and worship second? Does it change depending on whether you're in a church choir versus a secular or community one?

For everyone: have you run into friction around this? Directors who assume the whole room believes programming that leans hard one direction, a Requiem that lands differently for different people in the row?

One thing to be clear about up front: this isn't a thread for arguing about Christianity itself. Nobody needs to defend or attack the faith here. It's specifically about how you, as a singer, relate to the words you're given and how that plays out in rehearsal and performance.

Genuinely not trying to start a theology argument. Just interested in how people hold this, because I suspect most of us have thought about it, and almost nobody says it out loud.

Hey, I'm a student a school where we have singing lessons (in group). I am looking for a text by epica to sing with our choir. I was wondering if someone knew a way of getting a text for Unchained Utopia or song like that, or knows where such songs can be found. We usually sing in four voices (soprano, alt, tenor and base) but 2-5 is all possible.

Please ignore the pedalling, I'm not sure of what I did there. This is the first time I'm writing accompaniments and I don't play the instruments

I'm looking for a transcription of the newer version of Pentatonix o holy night. All I can ever find is the older version. Can anyone point me to this?

Every year, I write a Carol, a piece of music for Choir (sometimes with Organ), and I ask all my music-loving singers if they would like to participate in a voluntary project to record themselves singing their respective parts for the Carol.

This year it's "Follow The Star", inspired by the music of John Rutter, and dedicated to my former Headmaster (and dear friend) at Kings School Rochester, Chris Nickless, who passed away in December last year. This Carol is for SATB Choir and Organ. If you are a singer and are interested, please comment here in this post, and I'll share the info with you!

Does anyone have a copy they can scan and send to me? Id be forever grateful in return I can scan mutiny from epic and send it to you^^

https://www.youtube.com/watch?v=XD-zy8R3Blc

Just came across this piece— such a beautiful choral arrangement imo!

What are your favorite children's + adult choir pieces for church? I need to switch gears for my plan in November, and am looking for suggestions!

Thanks!

Growing up, the composer and organist **Thaddeus P. Cavuoti** was my choirmaster. He wrote a lot of choral music for my choir and I had copies of it u til it was destroyed in a house flood. He has since passed away and it has become difficult to find some copies of his music.

Two spectacular pieces he wrote that are no longer in print are his ***Magnificat and Nunc Dimittis***. In my mind, they were his magnum opus.

I would like to use them at my current church.

**Can someone help me find a copy of them?**

He was such an important influence on my life growing up, he introduced me to my career in singing at the National Cathedral. It breaks my heart that I will never get to see him again, but keeping his music alive means the world to me. I know his pieces are currently in use in Anglican and Episcopal Churches worldwide.

That is, do they become fricatives/approximants [β ð ɣ] between vowels, like in speech, or are they always plosives [b d g]?