This has always been one of my favorites from their debut album. It wasn’t released as a single, but seems to have struck a chord with fans and remained a fixture in live appearances throughout their career.

Perfect with coffee this morning.

The record was released in 1988, but the recordings are from December 1978.

The best recordings of 10:15 Saturday Night and Fire in Cairo ever IMHO.

What’s yalls favorite?

A Slovenian/Yugo banger from the 80s, Mizerika mixes a bunch of elements from Rock, EBM and Post Punk. It's experimental as fuck and some songs can be hit or miss depending on how much your in for it. It's a genuine charm, if you're still interested but didn't like the rather chaotic aspect of the album I'd recommend the new Mizerika remake Demolition Group put out couple of years ago, it's way more streamlined and post punky (in the sense that it embraces many PP elements more than the original and tones down some of the EBM and Rock influences). I am particularly more keen on the older version, if you liked it as well I'd recommend another one of their works from the same period "Vox Clamantis".

Joy Division transcending into New Order

A great T Rex cover

From the underrated Dirk Wears White Socks

I love the atmospheric and melancholic sound of this album. Some standout songs are Don’t Fall, Monkeyland, Up the Down Escalator, and Thursdays Child

This Is My Beautiful 1981 UK Picture Disc And My Perfect Sounding US Pressing From Around 1982!

The group PARTY DOZEN is a duo and since they make a lot of noise, their name is written in capital letters. It consists of saxophonist Kirsty Tickle (a film score composer and member of the Brisbane Philharmonic Orchestra) and multi-instrumentalist Jonathan Boulet (no relation to Isabelle; he primarily performs as a solo artist and as a member of the band PARADE).

https://anotherwhiskyformisterbukowski.com/party-dozen-sort-full-powers-tornade-post-punk/

I know the sound get their flowers in the post-punk fan world, but I wonder if there are any fans out there that feel them on the level I do. I get a feeling from them that I absolutely cannot explain. Something so potent, so beautiful, so honest, so painful and so therapeutic. All together with the great rhythm section and Adrian's amazing voice and great guitar playing just form a sound that has made me addicted. I have never felt or enjoyed to a level music that I do The Sound which is why I would consider them my favourite band and in my opinion one of the greatest bands of all time. Anyone else just gobsmacked at how they make us feel like nothing else does?

I'm working on building a playlist of current unknown UK bands, covering post-punk, darkwave, goth, synthpunk, and darker alternative music.

Please let me know of other British goth and alternative acts that are active now that need more recognition!

Keep your October jamming with the release of our debut record ‘In Absence’ 🎃

Collateral Gore is the debut album from my project Place of Rescission. All sounds were performed by myself using voice, drums, bass guitar, synthesizer, noise boxes, clarinet, theremin, and various percussion. I'm not totally sure how to classify it, not that it really needs to be classified. But some of the feedback I've received so far have mentioned things such as "bleak, so very bleak", and "like a much more deliberate Throbbing Gristle at times", and "it features elements I'm familiar with yet somehow as a whole it sounds like nothing I've ever heard before." thanks in advance if you want to give it a listen.

Album streaming links:

Bandcamp

Spotify

Apple Music

iTunes

Interview at
BothKindsOfHeavy.com:

https://www.bothkindsofheavy.com/home/an-interview-with-place-of-recission

And feel free to add me
on Insta if you want!

Instagram

I found about this band, and its amazing

Of course there were other artists making music in the ‘70s that anticipated and forged the “eighties sound” (Human League, Gary Numan, Bowie, Kraftwerk, etc) but this is still solidly pretty ahead-of-its-time despite being 1979. Those shimmering synths just steal the spotlight. Shame this band is so obscure.