23M, I’m looking for someone who’s at least 20 and just obsessed with cinema, all I need. Maybe you are that guy or know someone who is.
I have a crazy movie-related plan, but I'll tell about it once we know each other a little better.

You’re in?

I was DP/shooting a short film shoot in a restaurant and no meal break was scheduled or accounted for. All I could think of was getting some food in me after 9 hours of working my ass off for a friend's project. I guess prod assumed we would eat once wrapped, but we went long.

It was the first time I had filled 2 cards on a shoot with my Pyxis 12k, and wasn't paying close attention after I hit record to realize . My AC was also burned out and hadn't eaten in over 10 hours, since he had to travel.

By the time the shoot ended, the kitchen was closed, so dir/producer said sorry and gave us each extra 20 to buy our own food once we were wrapped.

Obviously I should have been paying closer attention,and learned a lesson, but at the time all I could think about was getting some food in me. I barely took time to even drink during the day.

Production saw the footage and emailed to ask where the missing insert setup was and I defended my mistake by saying we hadn't been fed and didn't realize the cards filled.

Obviously it was my error, one I won't make again, but should I feel bad about loosing an important insert shot?

I believe the restaurant will let us shoot it again, since it's a closeup on an object, or can be shot in another location. Should I still charge something for the pickup, or do it for free since it was my mistake? I provided all my camera, lighting and sound, for a rate that I would charge with no gear.

I’m an independent filmmaker in Los Angeles, working on an interview project. The first episode is finished, and the second is in production. I already have a technical team, but I’m looking for creative people to work with me on developing ideas, brainstorming, exploring new concepts and formats, and figuring out how to turn ambitious ideas into successful projects. I’m interested in people with a creative producer mindset — people who are ambitious, proactive, full of ideas, and willing to put in the hard work to build something meaningful. My long-term interests include documentaries, science and educational content, and TV-style shows. The challenge is that I have a very limited budget. How can I attract people like this at an early stage? Is it realistic to find people who share the ambition and want to build something together before there’s much money involved? And what are some fair ways to compensate creative collaborators when the budget is minimal? I’d appreciate advice from people with experience in independent filmmaking, creative producing, or building media projects. I’m also open to connecting with like-minded people in LA who are excited about creating something ambitious together.

My Short film from the 48 hour film project

assigned Genre : comedy and misunderstanding

Required elements: character - Paul sundry podcaster Line- How does it work Prop- purse

We had terrible time management during the shoot, so there was no time for reshoots. We also rewrote the story like 10 times, so it was a mess, but we still shot it and submit it. So that's something

feel free to criticize it and give it complements

*No dialogue, but English subtitles are still available ("hello").

Hi all,

I am continuing my speedrunning filmmaking challenge with this horror short, which I shot yesterday and edited at lunch while my son was sleeping.

It was fun to shoot, and I really enjoyed watching this one today (especially since I am not in it).

Feel free to tell me what you think.

Love you

Is there a term for when Scene A shows characters speculating about a suspect, and right after in Scene B, they show a random character doing something totally normal and even though it’s not explicitly stated yet, you just know it’s the culprit?

I used to think it was just a coincidence, but it happens in so many shows and movies, i find it so satisfying 😭

(It’s even better when you know for sure who is the suspect 😋)

Doom Squad is my first short film. It’s an 11-minute dark comedy about a men’s support group confronting loneliness, masculinity, and an unexpected crisis that throws the meeting into disarray.

I wrote, directed, and starred in the film, which premiered at the Flagstaff International Film Festival and won Best Comedy.

As a first-time filmmaker, I’d love to hear what other filmmakers think- particularly about the directing, performances, and how the film balances comedy with its more sincere moments.

https://youtu.be/MjjumT3Bs_U

I posted on here about 3 years ago when I was previously "about to make a feature". As many here probably know, things happen, money didn't happen, and that project fell apart.

Well, I'm back, and this time it's ACTUALLY happening. We start shooting in 1 week!

I got tired of trying to convince investors to fund a project, so I pooled a micro budget from my savings along with support from my wife and a close friend to make my first feature film, which stars Whitney Moore and Laura Bailey of Critical Role! I am directing it from an original script that I wrote.

It's a contained horror film called "The Devil Downstairs". Logline: A struggling artist rents out her basement to an elderly tenant for quick cash—but after the tenant’s sudden death, she starts to believe something else has moved in.

Follow the link(s) to find our film's Instagram page and follow us to stay up to date with our journey to create this cool, creepy movie!

This is a completely independent film. It is self-funded and crewed by my friends and colleagues whom I've worked with over the past 20 years. We've built a profit-sharing system within the project's layout so that if it's a success, everyone involved wins. We start filming in Los Angeles at the end of the month and will be wrapped by Thanksgiving (15 days total in that stretch). We'll be submitting to festivals next year and, from there, figuring out how to get this project out for the world to see!

I'll come back to post on here as often as I can, but for the quickest updates, please follow our Instagram Page.

Hit me with any questions or comments along the way!

I'm thrilled to finally be doing this. I have an incredible support system in my crew and cast, and we're all psyched to be putting something awesome out into the world. Can't wait to share it with you all!

In 1 year, I went from making $0 passion projects to getting paid to make videos I love. In this YouTube video I talk about how I did it. No silver bullets, no quick tricks- just 3 proven strategies that paid off. Check it out: https://www.youtube.com/watch?v=wxcABXzAw2o

I’m in the position of having to decide which professional name to use as a filmmaker, specifically as a writer/director.
My options are:
Evan Broussard-Everett (full name)
Evan Broussard
Evan Everett
What’d you guys think sounds the most fitting for a filmmaker.

Hi all,

I've been an actor, comedian, writer for 21 years (I've written on a few shows and acted in dozens), so I have a good overall understanding of the industry. I've written and directed quite a few short films and the hardest part is always getting a crew together...

So I wrote a short film with one location, 3 actors, and I want to just shoot it myself on my iPhone. I'd like to point out that I have a deep respect for the craft of DPing, but due to not having much income and wanting to create more content, the idea of just saying screw it and shooting it myself has gone from a half joke to "why not?". I don't plan on making this short film my masterpiece or expecting to win an academy award...

With all of this said, I have no knowledge of the technical part of cinematography. Does anyone have a resource for beginners? Like a youtube channel, an online course, etc. where I can learn the basics from aperture settings, to f/stops, and beyond?

I plan on using whatever budget I have on paying for audio, post, location, and meals.

Any other tips or pitfalls you can help me avoid would also be welcomed!

Thank you in advance.

Yo so I'm planning to make a Mafia Series, Crime is kinda my playground when it comes to filmmaking and it's the genre I love the most. I plan to do a twist where the main character loses a loved one and eventually meets a guy, becoming good friends with him. The guy tells the main character to enact revenge on the murder and take what's rightfully is, and eventually it's revealed this guy is a figment of his imagination trying to cope with the loved ones murder [I guess kinda like Fight Club but not really]. So I wanna put a song over the reveal at the end of an episode and I'd love to hear some suggestions on what would go along with it well lyrically and musically. I think Lithium by Nirvana would be a very cool pick myself but I'm curious

I directed this. It's a clip from my 13 minute documentary, "Dreams Are For Suckers." Three independent artists talking about failure, money, and making the work anyway.

The artists' own voices drive the film, over interview audio and B-roll.

Here, Ricky Salinas is talking about creative burnout. He says it "kills your soul, like you feel it die." From behind the camera, I ask, "You mean literally?"

The bulb dies as he touches the cord. He laughs in the dark.

I build the full edit around moments like this, trying to put the audience in a trance.

Cut in Kdenlive on Linux Mint. Mostly, I wanted to see where open-source editing stands on stability and workflow. Honestly, I was surprised. Kdenlive held up on Linux, and I was able to do basic color correction on the old YouTube footage.

That part took care. The original files from 2018 were lost in my move to Texas and back, so I worked from what survived on YouTube, shot on an even older camera with the Nikon D7200.

Happy to talk about the workflow if anyone wants.

I’m trying to find an old YouTube creator and a series of vlogs I used to follow around 2010-2014. Can’t seem to find any trace of these videos.

He was a guy who was trying to get an independent animated Christmas/holiday movie made. I think his nickname or channel name was something like Independent Movie Guy, but I’m not positive about the exact name.
Here’s what I remember:

He made regular video updates documenting his journey to get the movie made over a period of years.

He had written the script while in film school, and I remember his professors being encouraging about it.

He went through a lot of ups and downs trying to get funding and a studio attached to the project.
He attended film festivals and industry events to meet people and pitch the project, and he built up a following through his updates.

His videos often ended with an echoed audio clip of him saying something like “I’m just trying to make my movie, man.”

Years later, he uploaded what I remember as a very short (possibly under two minutes) digital 3D animated test for the movie.

The weirdest part is that I remember following this guy for years, but now I can’t find his channel, his name, or even much evidence that the series existed.

Does anyone remember this creator, his channel name, the movie’s title, or any articles/videos that mentioned him? Even a partial lead would be hugely appreciated!

After one year, it's finally out. I directed this music video August of last year to DRKMTS' track Promises. A class little song that's been sitting awaiting a label to release it. The video is starring scottish actor Doug Russell (Adolescence, The Batman, Knights of the Seven Kingdom).

I knew immediately I didn't want somone who was young or slick to be in the video, but an unusual protagonist. So I reached out to Doug who was nearing 60 and had no previous dance experience. When I approached him, he was super down to give it a shot, depsite never danced or been in a vide like this in his life.

We had half a day with choreographer Hannah Collins to work out the dance, then 2 shoot days on location. The intention was to make the movement feel personal to him, and to the story of his character, with room for it to be imperfect. He’s playing a man caught up in memories and repeating a ritual beneath the city, so the performance needed to feel like something he was doing for himself

We shot in an underpass in Glasgow. I prioritised one location so we could concentrate on the performance, choreography and how the camera moved around him - Shoutout to DoP Alan C Mclaughlin

Glad to finally be able to share it. Would be interested to hear what you make of the casting and how the performance comes across. Happy to talk through the shoot as well.

Cheers!

Camera images:

https://imgur.com/gallery/sony-venice-1-dvf-el200-viewfinder-tilta-carrying-case-axs-a1ts48-1-tb-memory-card-axsm-sxs-memory-card-reader-james-wesellsaas-com-aLxbhno

Timestamp:

https://imgur.com/a/ONvfrhL

Includes:

Sony Venice 6K + hard carrying case

DVF-EL200 viewfinder

Tilta Cage

Tilta Battery Plate

AXS-A1TS48 1 TB memory card

AXS-AR1 memory card reader + soft carrying case

--

Price: $25k via PayPal F&F, Venmo, etc.

Hi Filmmaker Friendz,

I posted on here in the past, but my name is Jeff Ryan. I'm a filmmaker based in New York City. I've made four feature films, and I love making movies, but it can be years of your life that you're not on set practicing what you do. I personally miss going into the woods with a camera and making something... So, that is what this post is about!

This is the first video of me trying to challenge myself for an afternoon to write, direct, and act in a short film. I hope you all like it. It's by no means perfect, but I'm thinking about doing this as a series and trying to post the process a little bit. If you like it, let me know, and I appreciate your time.

I'm an aspiring actor and a complete beginner looking for ways to enter the film industry.

I'm interested in Hindi and Marathi films, short films, web series, and independent productions. I don't have professional acting experience or industry connections yet, but I'm serious about learning and improving.

I'm currently looking for remote opportunities, including self-tape auditions, online casting calls, and independent projects where I can audition from home.

I'd love to connect with independent filmmakers, directors, writers, and student filmmakers who are working on projects that might suit a beginner.

If you have any advice on getting started, finding legitimate auditions, or building experience without industry connections, I'd really appreciate it.

Thank you for reading, and I hope to connect with some creative people here!

I organized an AMA/Q&A with Dave Koz and Mickey Duzyj, subject and director of the new doc SMOOTH WORLD, about the world of Jazz. Dave is a 9-time Grammy nominated saxophonist.

It's live here now in r/movies for anyone interested in asking a question:

https://www.reddit.com/r/movies/comments/1x8cgzk/hi_reddit_im_saxophonist_dave_koz_9_grammy/

They will be back at 4:30 PM ET on Tuesday 10/20 to answer questions. I recommend asking in advance. Please ask there, not here. All questions are much appreciated!

Trailer: https://vimeo.com/1225286270

Synopsis: Exiled from radio for being lame, the world of smooth jazz has secretly thrived as an underground paradise for senior citizens. Now, as the last smoothies face extinction, they band together to find a new leader who can save their beloved Smooth World.

Thank you :)

As a film director what was the worst thing your actor said to you that still hurts you to this very day?

I'm curious to get some feedback from fellow videographers, editors, and production company owners on what you'd realistically charge for a project like this in the Miami/South Florida market.

The client is a large, established, well-funded nonprofit organization, not a small grassroots operation. They're looking to produce a polished, interview-driven brand storytelling video with multiple deliverables and a pretty tight turnaround.

Here's the scope:

Pre-production

• Creative development, story planning, and coordination with the client
• Scheduling and coordinating 4–6 interview subjects
• Developing interview questions, reviewing existing materials, and planning B-roll coverage

Production

• Two full production days
• Two-person crew: producer/director and videographer
• 4–6 sit-down interviews using a two-camera setup
• Professional lighting and audio
• B-roll capture at up to two locations (same day/location as interviews)
• Approximately 1–2 hours of equipment setup before interviews, plus breakdown afterward (roughly 8–10 hour days)

Post-production and deliverables

• One polished 3-minute documentary-style brand video (16:9)
• A separate captioned version of the main video
• One 30–60-second social media edit delivered in two formats: vertical (9:16) and square (1:1)
• Reviewing, organizing, and incorporating archival photos and video supplied by multiple organizations, with the total volume of material not fully known upfront
• Story development from interviews, footage selection, editing, color grading, audio mixing, and music sourcing
• Motion graphics, lower thirds, titles, and animated archival imagery
• Two rounds of revisions
• Delivery of all original, ungraded camera footage on a physical hard drive
• An EDL (Edit Decision List) for future editing
• Full work-for-hire copyright ownership of the commissioned production transferred to the client, excluding third-party licensed assets

Timeline

• Two production days scheduled within the same week
• First rough cut due approximately one week after filming
• Client feedback and revisions shortly afterward
• Final video delivery approximately two weeks after production
• Video scheduled for presentation at a large upcoming event

Why I'm asking

I recently submitted a proposal for this project but wasn't selected. After receiving some feedback from the client, I learned there was a significant difference between my quote and the winning proposal.

It got me wondering whether my pricing expectations are out of step with the current market or whether different production companies are approaching projects like this very differently.

My question: What would you realistically quote for this entire project in the South Florida market?

I'm particularly interested in hearing from people who regularly handle corporate, nonprofit, documentary-style, or interview-driven productions.

Would you approach this with a two-person crew or handle it solo? How many hours would you realistically budget for post-production, especially considering the archival footage, motion graphics, revisions, and multiple deliverables?

I'm intentionally leaving out the actual bid amounts because I'd like to get unbiased feedback on what others would charge based on the scope alone.

Appreciate any insight!

I made a FREE False Color LUT for Sony Cameras!

Download it HERE:

https://drive.google.com/drive/folders/1LScILty5TmV_HVoJXroJ3KIpvrARRkIm?usp=sharing

Feel free to follow along with the video to learn how this can be added to your Sony camera and also help you get perfect exposure every time!

Note: This False Color LUT is made to be used with S-Gamut3.Cine/S-log3

Plase make sure to use to correct LUT for the device:

CAMERA LUT: Beta_False_Color_Slog3_Vini_ Lut.cube

DAVINCI LUT: Beta_False_Color_Rec709_Vini_Lut.cube

Thanks in advance for watching!

Hi,

I have a question that has been bugging me, before DCPs and digital post production, how did films reuse shots?

I’m watching an old miniseries called Centennial, it’s very good, I usually watch it alongside Deadwood. The series was made in the 70s, so shot and presumably edited on film, but often the same footage is repeated. Each episode begins with a recap and then some episodes have extended flashbacks.

My understanding is, editors would work on a copy of the negative, cut it, then once all of the decisions were made, the negative would be cut in a clean room.
However if a shot is repeated, there is still only one physical occurrence of it on the negative. So how was that duplicated?

I’d know a copy can be made at the lab, but that causes generational loss, I’m not noticing that here.

I know some of the Star Trek films reused the same shots. Mostly special effects, so probably a larger neg like vista vision and they’d just go back to the source, but I think a few stunts were reused also so there would only be the 35mm copy that was used previously.

Also, how did TV show openings handle this? I remember the opening credits of MASH always looked rather worn (and once I’m sure I saw writing as if someone had used a chinagraph pencil on the film), but other shows don’t seem to have this (Star Trek for example).

How was this sort of thing managed?

Submission statement: Work in progress from our medieval fantasy project BLADES of BAVARIA - filmed a while ago in the forest with a really skilled sword master. Now, experimenting with foley fx and some temp-music. Using the BMPCC4K and some vintage lenses... yadda yadda.

The bigger issue with this sequence that I quite like: It will most likely not fit into the final cut - whenever that will be done.