r/AO3 • u/SerpentEmperor • 2h ago
Questions/Help? Anyone else find the whole malfoid trend weird?
I'm trying to fundamentally understand why r/malfoid blew up. I really am. I mean I've been in this fandom since 2009. But all of a sudden with an AI video and animation female draco malfoy is everywhere. I really don't get it.
Now don't get it wrong. I'm the guy who loved daphne greengrass and harry potter smut fics back in the early to mid 2010s. But I didn't see the virality of it back then.
Now all of a sudden the whole internet has gone crazy for this premise that has been around for at least 17 years and I'm think 'what the hell is going on?'
UPDATE: I think I've finally worked out why the Malfoid trend bothers me, and it isn't because I hate the character.
I've been writing fanfiction for more than a decade. I've been using AI privately to help develop my fictional worlds for the last year or two. I enjoy genderbending, alternate universes, morally grey romance, tsunderes, smut, wish fulfilment, and attractive, powerful female characters.
So I'm not looking down on any of those things.
In fact, that's the problem. Female Draco is remarkably close to the kind of romantic character I like.
A beautiful, wealthy, proud, aristocratic woman with a sharp tongue, questionable family loyalties and the potential to become a fiercely devoted romantic partner? Absolutely. I've written women like that for years.
But there's a catch.
Most of my stories begin where the popular Malfoid romance is trying to end.
My characters are already in relationships. The question isn't whether they'll confess, kiss, have sex or marry. The question is whether they can build something together afterward.
Take my Mass Effect fanfiction. Male Shepard and Miranda Lawson are already romantically involved before Mass Effect 1. Neither knows the full extent of the other's professional loyalties. She's secretly connected to Cerberus, and he's about to become a Spectre. The relationship exists first. The conflict emerges from what they discover later.
Result: Miranda realizes 'oh shit' when she has to revive her husband but the Illusive man doesn't trust her to manage him after revival.
In another story, Jane Shepard discovers her boyfriend has unknowingly been positioned as a romantic intelligence asset against her. She believes he didn't knowingly agree to it, but still investigates the security implications. They love each other. That doesn't eliminate accountability.
Result: She puts him in a holding cell for a week while thinking about what to do with their relationship.
Or take my One Piece fanfiction. My Semi-self insert OC is married to Charlotte Galette and Charlotte Smoothie. Big Mom arranged the relationships for political purposes, and Smoothie was originally meant to execute him if he betrayed her mother.
So what happens when those marriages become genuine relationships? What if their children, household, businesses and shared future create obligations that conflict with Big Mom's instructions?
That's the actual story I want to explore.
Here's an easier experiment.
Give Harry and female Draco $20,000 and establish that they're already married. Now tell me what happens.
Do they invest? Save? Spend? Disagree? Start something? What happens if Draco's father interferes? Can they make an ordinary financial decision without turning everything into romantic insecurity?
I want to know how they function as partners.
My ideal love interest is an independently capable, intelligent, sometimes morally grey, imperfect woman who chooses lasting partnership without surrendering her identity. She can be sarcastic, dangerous, arrogant and even tsundere. But she must remain consistent, loyal, competent and capable of holding her partner accountable.
I don't need her to agree with the protagonist. I need her to judge him fairly. Don't blame him for something genuinely outside his control; do hold him responsible for things he knowingly chooses. And he owes her exactly the same.
I'm interested in established relationships involving people who can cooperate, disagree, make mistakes, raise children, manage resources, have intellectual conversations and construct a shared future. The romance doesn't disappear. It becomes part of their lives.
That's why the Malfoid trend feels like an uncanny valley to me.
She resembles the kind of romantic heroine I want, but the most visible content often concentrates on attraction, jealousy, blushing, romantic denial and the eventual promise of marriage.
I want to see what happens after the marriage.
And I'm irritated by the cultural inconsistency. Female Draco, Drarry, enemies-to-lovers, genderbending and romantic wish fulfilment have existed for decades. Suddenly one attractive anime interpretation explodes and some people talk as though they've discovered something revolutionary.
I'm glad people enjoy it. I'm glad it introduces newcomers to fanfiction. But I'd like the same respect extended to the writers and readers who've been enjoying these tropes for twenty years.
I'm not saying Malfoid can't become a complex character, or that short romantic comics are obligated to be twenty-year marriage sagas.
I'm saying that the viral fantasy is almost perfectly designed to catch my attention, but often stops just before the part I personally find most interesting.
I don't hate the fantasy of Harry getting the girl. I prefer the fantasy of Harry and the girl actually building a life together.



